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Film (27)

Under Savklingens Tænder

Holger-Madsen, 1913

The usurer Sintram lives and breathes for money and, for this very reason; he disinherits his charitable son Floridan. Embittered, Sintram buries his fortune in the forest and hides a will in a beech tree, with his estate left to anyone who finds it. This act is the only hard physical work the old usurer has done in his life and, ironically, the exhaustion kills him.

Kærlighed og Penge

Leo Tscherning, 1912

Karen has three tenacious suitors who woo her with great eagerness: lieutenant Schaleton, the poet Scherning and property owner Arnold. One day, her friend Ebba arrives from America, and friends and acquaintances are invited to a party. To find out if her many suitors are only interested in Karen’s money, she pretends, during the party, to get a letter telling her that she has gone bankrupt.

Badets Dronning

Eduard Schnedler-Sørensen, 1912

Mrs Blanc is taking a seaside holiday and is courted by no less than three bachelors eagerly vying for her attention. They are blissfully unaware that Mrs Blanc is both a wife and a mother, but they will soon find out.

The film contains Dutch intertitles with Danish subtitles.

Kærlighed og Overtro

Lau Lauritzen Sr., 1920

When head clerk Wange sets out to propose to the love of his life, Julie, he is rejected on the grounds that he is too staid and earthbound for her. A particularly pretentious and conceited poet is much more to her liking. Wange must find a way to prove to Julie that he is truly adventurous and romantic.

Hans store Chance

Hjalmar Davidsen, 1919

INCOMPLETE | The Widow Stein’s children, Vita and Arthur, are as different as night and day. Vita spends all her time taking care of her mother at home, while Arthur squanders his money at the city’s most notorious nightclubs. Vita is engaged to the diligent and striving Jacob, who has to step in when Arthur’s debauched life leads him into great debt.

Endelig alene

Holger-Madsen, 1914

Newlywed couple Adolf and Charlotte are heading home from a family visit and greatly hope for an undisturbed train journey. However, things turn out rather differently. Adolf is rude to the line’s traffic manager and is kicked off the train, while Charlotte is allowed to return to the capital.

Vor Tids Dame

Eduard Schnedler-Sørensen, 1912

Upon suddenly losing his fortune, the young Count Berner sets out for New York to try his luck there. With his winning nature and great drive, he quickly advances from being a stevedore to becoming a chauffeur for a well-known millionaire. But when he embarks on a relationship with the millionaire’s daughter Anny, he gets into trouble: another suitor of hers gets jealous and will stop at nothing to get Berner out of the way.

Dømmer ikke

Fritz Magnussen, 1920

Marcus Bloomer, a district attorney, receives a divine revelation the night before he is to sentence a young man to death. The herald of the revelation takes the form of Bloomer’s former sweetheart Reine, who shows him the greatest mistake of his life: twenty years ago, Bloomer chose his career over Reine, who birthed a fatherless child. In a cruel twist of fate, the child that Bloomer abandoned turns out to be the very same young man he must now sentence to death.

Afgrunden

Urban Gad, 1910

Magda, a piano teacher, meets Knud, a parson’s son, who invites her to spend the summer at his parents’ parsonage. When a travelling circus stops in the village, Magda leaves the meek Knud for the dashing circus rider Rudolf. But circus life with Rudolf quickly turns out to be anything but happy, and Magda comes to a tragic end.

Min Ven Privatdetektiven

A.W. Sandberg, 1924

You can't necessarily use literature to solve a murder. That’s what the avid reader of detective novels, Astrid, will realise when she tries to imitate her novel heroes in a creepy murder mystery. Although her skills as a private detective fall short, she still learns a lot from her attempts.

Grev Dahlborgs Hemmelighed

Eduard Schnedler-Sørensen, 1914

FRAGMENT | These recordings were part of Valdemar Psilander’s live performance at the Royal Orfeum in Budapest, in February and March 1914. Psilander financed the show himself, and it was a mixture of film and theatre under the title Count Dahlborg’s Secret. The film footage, which unfortunately hasn’t been preserved in its entirety, opened the performance, after which Psilander himself rode onto the stage and continued the action.

Manden uden Fremtid

Holger-Madsen, 1916

While holidaying, the beautiful heiress Grace meets the love of her life. Percy Fancourt is a cowboy and hardly a suitable match for a millionaire’s daughter – at least not if you ask her father. Reluctantly, she returns home.

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