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Dødsvarslet

Aage Brandt, 1912

Laurent, a painter, observes the performance of the dancer Marguerite and immediately feels drawn to her beauty and being. He invites her to his studio and the two fall in love. Unfortunately, Marguerite is already married to Stelio, who soon finds out about the affair.

Den røde Klub

Ubekendt, 1914

A mysterious film! That was the succinct description in the original programme for ‘The Red Club’ in 1914. One day Baroness Sonja discovers that her boyfriend Prince Stanislaus is engaged to someone else. Red with rage, Sonja vows to seek revenge and joins the Red Club, a mysterious resistance movement for anyone, wanting to have the unpopular prince thrown out.

Jafet, der søger sig en Fader II. Værtshuset ved Mount Castle

Emanuel Gregers, 1922

Two friends, Japhet and Tim, travel to London with the gypsy girl Fleta. There Japhet gains access to the bourgeoisie, where the gypsy queen Nattée had predicted he would find his father. Through a mysterious letter marked with the initials J.

Fra Mørke til Lys

H.F. Rimmen, 1928

Spanning three generations, the film depicts life in Copenhagen from the perspective of the working class. The film portrays the development of the city, the new opportunities arising and the improved living conditions created as the welfare state expands.

‘From darkness towards light’ is Denmark’s first-ever Social Democratic propaganda film, and it was part of the election campaign leading up to the local elections in 1929.

Slægternes Kamp

Ernst Dittmer, 1918

After living a lie for 20 years, Ejvin Nordeck learns the grim truth about his parents. In a wistful letter from Princess Jadviga Morensky, she reveals that she is in fact his mother. At the same time, Ejvin learns that she is to blame for his father’s death years ago.

Storstadens Hyæne

Knud Lumbye, 1912

Having grown up in poverty, the ambitious Nana is determined to break out of it. She becomes part of the Paris theatre scene and gets involved with several of the men who court her. However, Nana’s impoverished past catches up with her, and the story comes to a tragic end.

Kærlighed og Venskab

Eduard Schnedler-Sørensen, 1912

Boarding school friends Edith and Yvonne's intimate friendship is put to the test by fate in this tragic love triangle. Their paths diverge when Edith's father dies and she has to move back home to her mother. Years pass, Edith marries a handsome officer, while Yvonne pursues an artistic career.

Det indiske Gudebillede

Ubekendt, 1915

When a dying patient gives him a statue of an Indian god, the doctor John Schmidt thinks nothing of it. He barely gets home before mysterious things start happening. A knight’s armour comes to life, a servant gets ambushed, and Schmidt’s wife disappears without a trace! The secret Indian society is behind it and will do everything to get hold of the statue.

Stakkels Karin

Hjalmar Davidsen, 1919

Karin is a model for the painter Otto Werner, with whom she is very much in love. He, however, is merely toying with her emotions. When he becomes reacquainted with a former mistress, he soon forgets all about Karin.

Hjertevirtuosen

Alfred Cohn, 1916

The celebrated and vain cellist Karél impresses the royal couple with his virtuoso playing. When the princess invites Karél to go driving with her the following day, he convinces himself that she’s in love with him. He woos her ardently and sends her all the flowers he has received at the theatre.

I Tronens Skygge

Einar Zangenberg, 1914

When Prince Otto is involved in a hunting accident, the game warden’s daughter Ellen becomes his nurse. She falls head over heels in love with him and the infatuation is mutual. But when the prince’s father, the ruler, dies, it turns out that the prince’s heart is bequeathed to someone else.

Motorcyklisten

Viggo Larsen, 1908

A young man, crazy about motorcycles, buys an Ellehammer and drives it out of the store at wild speed. During his unruly driving, he knocks over several people, all of whom set out to chase him.

This short film is a popular and time-typical example of the so-called “pursuit farce”, or “running farce”, as the genre was called by the film’s director Viggo Larsen.