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Film (5)

Nattens Datter IV

Kay van der Aa Kühle, 1917

FRAGMENT | Once again, the Daughter of Darkness has been put behind bars for yet another one of her infamous crimes. But help is on its way: Her assistant ties a string with a piece of coal and paper to a snake's tale and sends the glistening predator up the drainpipe to the prison window. The Daughter of Darkness informs her helper about the time and place for her imminent transferral to another prison, and when the plans work out, the underground mastermind is off to new adventures.

Lavinen

Emanuel Gregers, 1920

After years living in the province, the well-respected lawyer Poul Lindorph returns to the capital. While he is expected to take up the post of Director of Public Prosecutions, his wife Maria is far less enthusiastic about returning to the city. She fears bumping into the editor Asp, with whom she shares a secret: Several years ago, she became Asp’s mistress in order to save Poul and herself from financial ruin.

Præsidenten

Carl Th. Dreyer, 1919

By his father’s deathbed, the young Karl Victor von Sendlingen swears that he will never make the same mistake his father made in his youth: to marry a girl beneath his own station. The promise proves to have fatal consequences when Karl Victor falls in love with a young governess, whom he impregnates but refuses to marry as this would break his oath to his father. Many years later, he is a highly respected president of the court about to deal out judgment to a young woman who has killed her new-born child.

Hævnens Nat

Benjamin Christensen, 1916

On New Year's Eve, the convicted murderer, Strong John (‘Henry’ in the original Danish), escapes from prison and collects his son from the orphanage. When he breaks into a local manor to get some milk for his child, he is surprised by a young woman, Ann (‘Eva’ in the original Danish). Out of pity, she decides to help the stranger, but unfortunately some of the manor's other occupants wake up and call the police.

Storstadens Hyæne

Knud Lumbye, 1912

Having grown up in poverty, the ambitious Nana is determined to break out of it. She becomes part of the Paris theatre scene and gets involved with several of the men who court her. However, Nana’s impoverished past catches up with her, and the story comes to a tragic end.

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Det Danske Filminstitut
Danish Film Institute
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