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Præsten i Vejlby

August Blom, 1922

The film is the first film adaptation of Steen Steensen Blicher’s short story about a real-life miscarriage of justice from the seventeenth century.

The God-fearing vicar Niels Quist lives with his beloved daughter Mette in the small Jutland town of Vejlby. The newly elected county bailiff and local magistrate, Erik Sørensen, is the lucky fellow who wins Mette’s heart, but their happiness is short-lived: One day, the vicar’s farmhand mysteriously disappears, and all signs suggest that the vicar is the killer.

Solskinsdalen

Emanuel Gregers, 1925

While on an excursion in the mountains, aging natural scientist, Professor Karker, discovers an idyllic valley. Here, he meets a farmer’s wife, Aase, and her two adult children: the kind-hearted Kavli and his sister Kari, who is a breath of fresh air. Back home, Karker sends his own two spoiled and self-indulgent representatives of modern youth, Thor and Synnøve, on a re-education trip to visit his new friends in Sunshine Valley.

Du skal ære din Hustru

Carl Th. Dreyer, 1925

Ida toils from morning till night, while Viktor demands constant attention and is always complaining. When Ida moves back with her mother to recuperate, Mads the nursemaid takes over the household, shaking up Viktor’s daily routines. After a month under Mads's strict tutelage, Viktor is gracious and accommodating, but does he still have a chance with his beloved wife?

The film was directed by Carl Th.

Folkets Ven

Holger-Madsen, 1918

The social storm after World War I divides the people. In the eye of the storm are three brothers fighting for the lower classes, each in his own way. Waldo the blacksmith wants a world revolution by power and violence.

Grænsefolket

Eduard Schnedler-Sørensen, 1927

FRAGMENT | The Family Steffensen lives on a farm in Southern Jutland. The area has been under German rule for 60 years, when WW I suddenly breaks out. The possibility of regaining the lost land brings new hope to the border people, but the poor Steffensen's farm is threatened by compulsory sale.

Lasse Månsson fra Skaane

A.W. Sandberg, 1923

The year is 1658 and the King of Sweden has seized large parts of Denmark. A tenant farmer and his family on Falster are forced to look on while enemy soldiers loot and wreck their home. Only the wounded and febrile soldier Lasse Månsson does not take part in the atrocities, and when the regiment moves on, he stays in the care of the farmer.

Paa Slaget 12

A.W. Sandberg, 1923

Peter Hansen, a parish clerk, is woken up in the middle of the night by a mysterious phone call. On the phone a woman screams for help, and when he hears shots shortly afterwards he knows that something is very wrong. He sets out to investigate the matter, and before he knows it he is embroiled in an actual murder mystery.

Har jeg Ret til at tage mit eget Liv?

Holger-Madsen, 1920

Family man Poul Berg is tempted by a questionable investement offer and indebts himself to a point where suicide seems like the only way out. His widow struggles to maintain even a simple standard of living for herself and their three children, who are fatally marked by their fathers deed.

Den sidste Dans

A.W. Sandberg, 1923

Count Wrangel’s daughter Polly and the forest warden’s son Søren are best friends and quite inseparable. As they mature beyond the carefree days of childhood, their disparity in rank and status looms larger between them, and Søren puts aside his dreams of sharing the rest of his life with Polly. Instead, he meets a dancer, Stella, who moves with him when he himself is employed as a forest warden at Wrangelsborg, the count’s estate.

Vor fælles Ven

A.W. Sandberg, 1921

A fisherman finds a corpse in a river, and he turns out to have been the victim of murder. The dead man is John Harmon, a millionaire’s son who was just about to inherit his father’s fortune. The investigation abounds with mysterious events, and a stranger suddenly appears – might he be the killer?

About 50% of the film's second half is lost.