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Kornspekulanten

Vilhelm Glückstadt, 1918

The wealthy merchant Borg buys up all the country’s grain reserves to control the prices himself. His move creates panic both on the stock exchange and in the streets. However, he meets the seductive Vera, and with her, misfortunes follow one after another like pearls on a necklace.

Hævnens Nat

Benjamin Christensen, 1916

On New Year's Eve, the convicted murderer, Strong John (‘Henry’ in the original Danish), escapes from prison and collects his son from the orphanage. When he breaks into a local manor to get some milk for his child, he is surprised by a young woman, Ann (‘Eva’ in the original Danish). Out of pity, she decides to help the stranger, but unfortunately some of the manor's other occupants wake up and call the police.

Pigen fra Palls

Eduard Schnedler-Sørensen, 1916

Young Elly lives in the fishing town of Whitley as the foster daughter of the greedy merchant Brown. When Brown suddenly raises gasoline prices, the local fishermen revolt. The events escalate to a huge gasoline fire, Brown’s death and poor Elly’s capture by pirates.

Pjerrot

Hjalmar Davidsen, 1917

Gross misunderstandings result in the young actor Jean leaving his wife and child. Years later, the family meets again in the theatre. Jean enters the stage as Pjerrot, whilst his wife and their daughter sit in the audience.

Borgslægtens Historie

Gunnar Sommerfeldt, 1920

In Iceland, the pride and honour of one’s family mean everything. Ørlygur á Borg is the most powerful man in the parish, and his son Ormarr is a man of action with a firm sense of justice, predestined to follow in his father’s footsteps. However, Ormarr has other plans for his life, and when one day he sets out for Copenhagen to study, his tyrannical brother takes advantage of the situation, seizing the farm and the role of ruler in the parish.

Gud raader

Ubekendt, 1912

A Savoyard peasant family is banished from their home because they have not paid their taxes on time. When the count sees the family’s beautiful daughter Annette, he immediately suggests that they can stay if Annette comes to the estate as a housemaid. Plainly seeing the count’s disgraceful plans for what they are, the father, Antonio, resolutely rejects the offer.